Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Mozart’s ultimate masterpiece, his Requiem, was left unfinished. This lack of completion is precisely what Yoann Bourgeois is interested in. Working alongside conductor Laurence Equilbey, the choreographer explores emptiness and suspension, using only the fragments written by Mozart himself. Acrobats dancing on high walls, choir set on a revolving stage and falling bodies create spectacular images that shed an unusual light on Mozart’s musical testament.

Photo: Arthur Weidmann

Pièces de Fauré, Bizet, Gounod, Viardot, Chopin

Jean Manifacier, comédien

Naaman Sluchin, violon

Aline Bartissol et Eloy Orzaiz, piano

Insula orchestra
Accentus
Laurence Equilbey, direction

Sandrine Piau, soprano
Jakub Józef Orliński, contre-ténor
Stuart Jackson, ténor
Alex Rosen, basse

Francesco Romano, guitares romantique

Clara Hugo, soprano

Eloy Orzaiz, pianofortes Erard 1806 et Rosenberger 1825

Œuvres de J.N.Hummel et F. Schubert.

Amandine Beyer, violon historique

Eloy Orzaiz, pianoforte Schantz (1826)

Bach, Vivaldi, Purcell, Haendel, Rameau.

INSULA Orchestra

Bach, Vivaldi, Purcell, Haendel, Rameau.

INSULA Orchestra

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Julie Desaint – Viole de gambe ; Hélène Desaint – Alto ; Vincent Gailly – Accordéon ; Rachel Givelet – Violon ; Cécile Vérolles – Violoncelle ; Samuel Hengebaert – Alto & Viola Da Spalla ; Axelle Saint Cyrel – Mezzo-soprane ; Ronan Khalil – Clavecin; Eloy Orzaiz

Program & Tickets – Herrenchiemsee Festspiele (herrenchiemsee-festspiele.de)

Billetterie online sur: Festival 2024 – Festival Musicancy

INFOS et billetterie: Le monde à l’envers – Gli Incogniti, Amandine Beyer | Les PMPA

INFO et Billetterie: Les Musicales de Normandie – 40 concerts – Été 2024 (musicales-normandie.com)

INFOs et Billetterie: Inici | Festival de Torroella de Montgrí

Récital clavecin solo

Œuvres de J.S. Bach, Sarasate, Bloch, Franck.

Œuvres de J.N.Hummel et F Schubert.

Stéphanie Paulet, violon

Eloy Orzaiz, pianoforte

Obras de Marianna von Martines, Maddalena Lombardini y F.X Richter

13/02/2025: Auditorio de Galicia (Santiago) 20:30

14/02/2025: Circulo de las Artes (Lugo) 20:00

Stéphanie Paulet, violon

Eloy Orzaiz, pianoforte

Organisé par La Nouvelle Athènes

Marta Ramirez, violin historico

Eloy Orzaiz, clavecin

Manuel Lopez Jorge, compositor